To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. Shure: KSM8 & KSM9 Microphones. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. All rights reserved. 965 seriously cuts through the muddiness very crisp high end. Why you can trust MusicRadar The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. But on closer inspection, each mic has their own distinct but subtle character. In my experience the KSM8 is a more hi-fi-sounding mic. . But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. This provides a clean and transparent sound, while generating a little more heat than other designs. The Sennheiser also has a slightly larger diaphragm than the Shure. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. Strategically positioning and bringing to life new brands. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. Therefore, if you can afford this mic, go ahead and start digging that difference. The grille interior is lined with a hydrophobic woven fabric. Patent Notice: Patent Des. Where the magic happens! Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! What else do you need for your home recording studio? But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. A dynamic cardioid version of the KSM9, using the same dual-diaphragm technology. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. 71 user ratings. Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. On first listen, the two mics have a similarly clear and transparent sound. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). It has a warm sound that is perfect for female vocals or mellow tracks. Spitfire Audio Hans Zimmer Collection. Our web address is www.shure.com. Follow us. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. Now is the perfect time to get the gear you want with simple, promotional financing. Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. Its not something I could actually hear. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. This item: Shure RPW174 KSM8 Dualdyne Wireless Capsule for Shure Transmitters. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. However, some singers will need more control over the way their voice sounds. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. The active and passive diaphragms differ in that the active (top) one has a coil attached. Elegantly crafted products that are simple, useful, and desirable. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. Whereas condenser mics are active meaning they need something called power phantom power. Theres nothing quite like knowing your audience are listening to a high quality sound. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . jim martin death couples massage class san diego beaver falls football shure axient combiner. Click to reveal The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. Shure Tech Portal open_in_new. Show details. KSM8. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Both patterns arestandard and both can be as useful in different situations. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. 2:11 Shure KSM8 Only Try a good quality boom stand, with a tripod base like the K&M 210/2. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. Last but not least is an interchangeable polar pattern. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. All rights reserved. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. Shure Audio Institute. There were four models in AKGs dual-capsule range, starting with the D200. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. Deepak is a List Writer for AnimeCoach with years of writing experience and a love for all things anime. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). The action you just performed triggered the security solution. Save my name, email, and website in this browser for the next time I comment. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. This makes it ideal for recording vocals or instruments in a studio setting. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Internal shock mount and capsule stabilization mean minimal handling noise. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. Turn your old gear into new gear with the Sweetwater Gear Exchange! Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. It might be just what you need to take your sound to the next level. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. KSM8 is a dynamic with a darker tone. . However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. and all parts are high grade. . Given the sensitivities of condenser mics, why would anyone risk using one on stage? This helps maintain richness and definition in the bass, without it becoming overwhelming. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). Shure KSM9 vs Sennheiser E965 for Vocals. However the KSM9 is noticeably cleaner and brighter. The Neumann KMS 105 is a condenser microphone that is designed for studio use. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. I work with a female vocalist who is looking to upgrade her microphone. Sound Forums Network, LLC was co-founded by David Karol and Bennett Prescott to provide and preserve a home for audio professionals around the world. Consider helping Sound Forums keep the lights on. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? Great site. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Thank you for your request. These marks may be registered in other jurisdictions. A Sweetwater Sales Engineer will get back to you shortly. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. This is great for recording ambiences, or in a controlled environment like a recording studio. This pattern is fairly forgiving of mic position and technique, whilst capturing detail. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. To learn more about our cookie policy, please visit our Privacy Policy. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. 5:52 Thanks for Watching! A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. JavaScript is disabled. Don't Let Dirty Power Ruin Your Recordings. Beta 87A on UHF-R Wireless. The lows are being naturally rolled off to avoid that unwanted mud and boominess. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! 25 Feb/23. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. Forums for Audio Professionals, Run by Audio Professionals. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. At 191 mm (7.5"), it's slightly longer than the Shure SM58. Visit our corporate site (opens in new tab). Dualdyne capsule continues the ongoing evolution of microphone technology. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. A25E. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. Heres how it works. 3:26 What We Heard Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. Theyre both handheld condenser mics optimised for live performance. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter. Shure KSM9 is a professional on-stage condenser mic. Re: KSM9 vs. Another drawback of sensitive microphones is that they often have a low maximum SPL. Did you mean the KSM9? At 191 mm (7.5), its slightly longer than the Shure SM58. All in all, the KSM9 offers a very happy medium. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . BACK. This website is using a security service to protect itself from online attacks. As a condenser mic, the Shure KSM9 requires phantom power. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. Learn More. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount.
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